Toni-Leslie James, Costume Designer

Toni-Leslie James has designed costumes nationally for every entertainment; feature film, television, opera, dance, industrials, regional theatre and Broadway.  For Broadway, she has designed Come From Away (Hewes Design Award, Drama Desk Nomination), August Wilson’s Jitney(TONY and Drama Desk Nomination),Lucky Guy, The Scottsboro Boys, Finian’s Rainbow, Chita Rivera: The Dancer’s Life, Ma Rainey’s Black Bottom, King Hedley II, One Mo’ Time, The Wild Party, Marie Christine, Footloose, The Tempest, Twilight Los Angeles 1992, Angels in America: Millennium Approaches & Perestroika, Chronicle of a Death Foretold, and Jelly’s Last Jam. 

Off-Broadway, she has designed multiple productions for the Public Theater, Playwrights Horizons, Second Stage, Soho Rep, Lincoln Center Theatre, the New York Theatre Workshop, Classic Stage Co., and over 15 productions for the NY City Center Encoresseries.  Regionally, her work was seen in productions for La Jolla Playhouse, Steppenwolf, Hartford Stage, The Long Wharf, Baltimore Center Stage, The Old Globe, Mark Taper Forum, Arena Stage, Cleveland Playhouse, Cincinnati Playhouse, The Round House Theatre, Seattle Rep, The Shakespeare Theatre, Berkley Rep, The Alliance Theatre, Goodspeed Playhouse, The Williamstown Theatre Festival, ACT, Denver Theater Center, and Crossroads Theatre Co. Internationally, she has designed for the Young Vic, the Royal Court Theater and the Chichester Theater Festival in the UK, the Athens Greek Festival, and Radio Dansmark TV in Denmark. She was the head costume designer for Whoopion NBC, and the CBS soap opera, As the Word Turns,as well as having designed four specials for WNET/13’s Great Performances series.

Her design work has been displayed in nine major museum and college exhibitions including a 2006 retrospective of her career at The American Museum of Natural History “Designing Woman: Inside the Life And Career of Costume Designer, Toni-Leslie James”, the Lincoln Center Performing Arts Library 2008-2009 exhibition “Curtain Call: A Century of Designing Women“, and “More Life!Angels in America at Twenty” at The Museum of Performance & Design in San Francisco, CA. in 2010-2011.

Ms. James has garnered a total of thirty-five costume design nominations or awards for her contributions to various theatrical productions including two Tony Award nominations, five Drama Desk nominations, two Hewes Design Awards and three additional Hewes nominations, four Audelco Award nominations, two N.A.A.C.P Image Award nominations, three Lucille Lortel nominations, The Helen Hayes Award nomination, The Denver Theatre Center Ovation Award nomination, The LA Drama-Logue Award, The FANY Award, The Connecticut Critics Circle Award, the Irene Sharaff Young Masters Award For Costume Design Excellence, the 2009 Obie Award for Sustained Costume Design Excellence, and the 2011 National Black Theatre FestivalOutstanding Costume Designer of The Year Award, and the 2017 LILY Award for contributions in design for the American Theater. She was awarded an Honorary Doctorate of Fine Arts from Sewanee (The University of the South) in January 2018, and selected as a Richmond Times-Dispatch “Person of the Year” in 2017.  In March of 2018, Ms. James was awarded a citation for her contribution to the arts from the Richmond City Council.

Ms. James is an Associate Professor and Head of Design at Virginia Commonwealth University and received her BFA in Theatre from The Ohio State University.

THE MICHAEL MAGGIO EMERGING DESIGNER AWARD

Rasean Davonte Johnson, Video Artist and Projection Designer

Rasean Davonte Johnson is a video artist, filmmaker, and theatrical designer whose work has be seen at museums, galleries, and various stages across the country. An Ohio native, in his first foray into moving image he produced The Price of Pride, which was featured in the 2008 Columbus International Film Festival. Upon moving to Chicago he found himself deeply involved in the video and theatrical community working on various projects at Collaboraction and American Theater Company. Theatre work includes collaborations with numerous institutions including Steppenwolf Theatre Company, Long Wharf Theatre, ArtsEmerson, the McCarter Theatre Center, Yale Repertory Theatre, Alliance Theatre, Berkshire Theatre Group, The Ningbo Song and Dance Company, Yale Opera, Teatro Vista. Timeline Theatre Company, The Hypocrites, Porchlight Music Theatre, Halcyon Theatre, Redtwist Theatre, and many more. In addition to theatrical work his exploration of installations allowed him to create and work on projects such as Living Sculpture as a part of LUX: Ideas Through Lights and the Beinecke Rare Books Library, A Night of Wonder with Pornchanok Kanchanabanca at the Yale School of Drama, Passengerpresented at the Bridgeport Film Festival, The Ballad of Lula Del Ray 2.0 with Manual Cinema for the opening of the Logan Arts Center, and Behind the Whites at the Yale Art Museum. He has earned a degree in theatre from the Ohio State University and an MFA in projection design from the Yale School of Drama. Additionally, he has lectured and led workshops on design at various schools including Yale University, Boston University, Syracuse University, The Theatre School at Depaul, and the Ohio State University.

THE EMERGING TECHNICAL COLLABORATOR AWARD

Becca Venable, Technical Director

Becca Venable is a Dallas, Texas native now living in Chicago where she is the assistant technical director at the University of Illinois at Chicago, the technical director for Chicago Children’s Theatre and Red Theater Chicago, as well as a company member of both Red Theater Chicago and The Comrades.  In 2014 Becca graduated from Texas Tech University with a BFA in Theatre Arts: Design/Technology where she worked on multiple shows including Fuddy Meers, How I Learned to Drive,Twelfth Night,andRent.  While  living in Lubbock, Texas she worked on Snow White and The Nutcracker (Ballet Lubbock),Beauty and the Beast,Mary Poppins, andThe Little Mermaid(Lubbock Moonlight Musicals),Flatlands: Encore! andLines and Lights (Flatlands Dance Theatre), and The Boys Next Door (Lubbock Community Theatre) to name just a few.  Immediately after graduating Becca worked for Eastern New Mexico University as their production manager and resident lighting, sound, and scenic designer for a year where she worked on Reckless,Almost, Maine,Any Given Monday,and Both Sides. Now in Chicago, Becca works as a freelance technical director, sound designer, lighting designer, and stage manager around the city.  Some of Becca’s Chicago productions include Intimate Apparel(University of Illinois at Chicago), American Hero(First Floor Theater), Sweet(Fleetwood-Jourdain Theatre), Weekend Comedy(Oil Lamp Theater),Damascus(Strawdog Theatre Company),In the Wake and Row After Row (The Comrades),The Mars Assignment(Collaboraction Theatre Company), The Good Fight (Babes With Blades), andWounds to the Face (Runcible Theatre Company).

ACADEMIC PRIZES     

The John Murbach Columbia College Chicago Prize

Therese Ritchie is a Chicago-based designer who loves taking on new challenges and learning from her peers. Originally from Pepperell, MA Therese grew up devising small theatrical productions and art with her friends. Therese has recently graduated from Columbia College Chicago with a Bachelor of Arts in Theatre Design with a focus in Scenic Design. Recent design credits include (Puppets)The Conference of the Birds and (Scenic Design) The Wild Party, Caroline, or Change, and Wait Until Dark. Therese would like to thank all her mentors and friends from CCC as well as her family for their love and support.

The Theatre School At Depaul University Prize

Madeleine Byrne is a third-year student at The Theatre School at DePaul University pursuing a BFA in Costume Design with a minor in History of Art and Architecture. At The Theatre School, Madeleine has worked as a costume designer, assistant costume designer, wardrobe supervisor, and the manager of the school’s Costume Storage department, which coordinates costumes for over 25 productions each season. Madeleine looks forward to designing the US premiere of Robert Icke’s Oresteiaat the Theatre School next spring, as well as her summer internship in Costume Collections at the Chicago History Museum.

The Loyola University Chicago Prize

Spencer Gjerde is a graduate of Loyola University Chicago with degrees in both Theatre and English. His past Scene Design credits include Tin TypesandEurydice.  He designed the properties and puppets for Loyola’s production of She Kills Monstersand served as a carpenter in the scene shop for the past three years. As lead designer at Timberlake Playhouse in Mount Carrol this summer, Spencer’s upcoming productions includeBeauty and the Beast, Born Yesterday, Forever Plaid, The Full Monty andBaskerville: A Sherlock Holmes Mystery.  He has strong interest in Children’s Theatre and Storytelling.

The Northwestern University Prize

Michelle Lily is a third-year scene design MFA candidate in Northwestern University’s Stage Design program. Northwestern design credits include Vinegar Tom, In the Red and Brown Water,Three Sisters, Fuente Ovejuna, and Agamemnon. Upcoming projects include Songs for Nobodies at Milwaukee Repertory. Prior to Northwestern, Michelle designed productions for New Leaf Theatre, TUTA, Emerald City, Lifeline, A Red Orchid (Youth Ensemble), the side project, Theatre Seven, Profiles, Wheaton College, and The Springfield Muni. Michelle is the co-founder of Rabbit Hole, a Chicago-based immersive game design company, where she co-wrote and designed After the Death Card, Lights Out, and Sender Unknown.